Showing posts with label electric. Show all posts
Showing posts with label electric. Show all posts

Tuesday, December 24, 2013

Electric Guitar Preamplifier

Here is the circuit diagram of a guitar preamplifier that would accept any standard guitar pickup. It is also versatile in that it has two signal outputs. A typical example of using a pick-up attached to a guitar headstock is shown in Fig. 1. The pickup device has a transducer on one end and a jack on the other end. The jack can be plugged into a preamplifier circuit and then to a power amplifier system. The pickup device captures mechanical vibrations, usually from stringed instruments such as guitar or violin, and converts them into an electrical signal, which can then be amplified by an audio amplifier. It is most often mounted on the body of the instrument, but can also be attached to the bridge, neck, pick-guard or headstock.

1Electric-Guitar-Pre-Amplifier1

The first part of this preamplifier circuit shown in Fig. 2 is a single-transistor common-emitter amplifier with degenerative feedback in the emitter and a boot-strapped bias divider to secure optimal input impedance. With the component values shown here, the input impedance is above 50 kilo-ohms and the peak output voltage is about 2V RMS. Master-level-control potentiometer VR1 should be adjusted for minimal distortion. The input from guitar pickup is fed to this preamplifier at J1 terminal. The signal is buffered and processed by the op-amp circuit wired around IC TL071 (IC1). Set the gain using preset VR2. The circuit has a master and a slave control. RCA socket J2 is the master signal output socket and socket J3 is the slave.

Electric Guitar Preamplifier Circuit diagram:


It is much better to take the signal from J2 as the input to the power amplifier system or sound mixer. Output signals from J3 can be used to drive a standard headphone amplifier. Using potentiometer VR3, set the slave output signal level at J3. House the circuit in a metallic case. VR1 and VR3 should preferably be the types with metal enclosures. To prevent hum, ground the case and the enclosures. A well-regulated 9V DC power supply is crucial for this circuit. However, a standard 9V alkaline manganese battery can also be used to power the circuit. Switch S1 is a power on/off switch.

Source: http://www.ecircuitslab.com/2011/06/electric-guitar-preamplifier.html
Read the rest entry[...]

Tuesday, April 30, 2013

Electric Guitar Violin Preamplifier

Magnetic pick-ups in musical instruments have a relatively high output impedance. This can result in a reduction in treble response when connected via a long cable run or to equipment with a low input impedance. This preamplifier provides a high input impedance and a low impedance output, solving both issues. It has adjustable voltage gain and can run off a battery or DC plugpack. The input signal is AC-coupled to the non-inverting input of IC1a, part of a TL074 quad op amp. This has JFET input transistors and the input impedance is set by a 330kΩ bias resistor which also sets the DC level at this input to half supply (Vcc/2). This is generated by a voltage divider comprising two 10kΩ resistors and bypassed by a 47µF capacitor to reject noise and hum.

Electric Guitar Violin Preamplifier
IC1a is configured as a non-inverting amplifier with a gain of between 2 and 20, depending on the setting of VR1. IC1a’s output is fed to VR2 via a 22µF capacitor, allowing the output volume to be set. The audio then passes to the non-inverting inputs of the remaining three op amps (IC1b-IC1d) which are connected in parallel to provide a low output impedance; it will drive a load impedance as low as 600Ω. The 100Ω resistors in series with the outputs provide short-circuit protection for the op amps and also prevent large currents from flowing between the outputs in case they have slightly different offset voltages.

The buffered signal is then AC-coupled to two output connectors using 47µF electrolytic capacitors. For Output 1, a 47kΩ resistor sets the output DC level to ground and a 220Ω series resistor provides further short-circuit protection. Output 2 is similar but includes another potentiometer (VR3) to allow its level to be set individually. Note that this means the impedance of Output 2 can be high (up to 2.5kΩ depending on the position of VR3’s wiper). The total harmonic distortion of this circuit is typically less than 0.01% with the gain set to six. If a TL064 is used instead of a TL074, the current drain will decrease but there will be more noise at the output. Finally, the input imped

Read the rest entry[...]

Tuesday, April 9, 2013

Standby Electric Generators for Emergency Farm Use

Standby Electric Generators for Emergency Farm Use Susan W. Gay, Extension Engineer, Biological Systems Engineering, Virginia Tech An emergency source of power is essential for any farm with mechanically ventilated production facilities, bulk milk-handling equipment, automated feeding systems, or facilities requiring constant and consistent heat or refrigeration. A standby power generator is an excellent investment to prevent costly losses during local power failures.

Get from here to download Standby Electric Generators for Emergency Farm Use
Read the rest entry[...]

Friday, April 5, 2013

A Frequency Doubler Effect for Electric Guitar

This circuit is a octave shifting that is used for electric guitar is done by rectifying the original signal, just like AC to DC conversion inside your AC-DC power supply adapter. This circuit is use single supply instead of symmetric power supply. This is the figure of the circuit.


The rectifying is done by four 1N4148 silicon diodes, configured as full-wave rectifier bridges. Because the bridge is inserted inside the negative feedback of the operational amplifier (op-amp) U1B, the nonlinear characteristic of the diodes around the turn-on point (the forward bias voltage) is compensated by the op-amp’s feedback mechanism. As the result, the output of the rectifier looks like coming from ideal diode with no bias voltage needed. The pre-amp gain can be adjusting by R3 potentiometer between clean and slightly overdriven, hear the effect, and set as you want.

The R4 pot is provided to adjust the processed signal so the output level after the frequency doubling is equal to the level before entering this analog effect processor. Make R7, R8, and C3 layout as close as possible to the pin 10 of the LM324 IC (U1C) with shortest possible wiring to minimize capturing any noise. This voltage (at pin 10 U1) is the reference for internal “virtual ground” coming out from U1C output (pin 8). Make sure that the PCB tracks for this “virtual ground” (pin 8 U1) are wider than other signal tracks to give consistent reference for all op-amps. Make sure C4 and C5 have the shortest possible connection to the power pins (pin 4, pin 11) and the “virtual ground” line (pin 8).

Read the rest entry[...]